Environmental artist Linda Gordon responds to Anticipatory history with reflections on personal memories, intimations of change — ‘places and objects within them become part of our personal inner world’ — and a recent example of her ephemeral art.
approximate Reading Time: 3 minutes
You can read my original review of Anticipatory history here. And you can download the book’s introductory essay from the publisher’s link on that page.
Are we, as Anticipatory history suggests, largely not culturally equipped to respond thoughtfully to environmental change, or to imagine our own futures?
The trouble is that places and the objects within them (natural or manufactured) seep into our consciousness and become part of our personal inner world, complete with its private collection of received stories.
Looking at Mark’s reference from the book, “Many of these changes… will register as subtle (or not so subtle) alterations in familiar landscapes…”, I remembered that many years ago, when I was living in East Sussex, someone living a few miles inland from the Seven Sisters cliffs demolished a World War II pillbox (a concrete machine gun emplacement) that was sited in their garden, in order to make his garden more pleasant. This was followed by a vociferous outcry from local people, and at first, I thought: “It’s his garden, and he can do what he wants!” Then I realised those people probably saw his act as part of their world being destroyed, and therefore threatening their sense of identity.
Not far from where I live now, is one of my favourite trees. Nothing particularly outstanding about it — but it is special to me because I return to it again and again in times of trouble. If it keeled over tomorrow in a gale, and died — I would feel a few moments sadness, and then accept it as a natural part of life’s processes. But if someone deliberately and illegally killed it, say, in order to cram in an extra housing unit for pure profit, I should find it extremely difficult not to react with outrage!
History and the present moment
It is my view that people’s wellbeing and felt experience should be respected and fully taken into account during times of change, and when planning ahead. (The same goes for other lifeforms too). However, I don’t currently believe that looking to history and story-telling, in itself, will do very much to help us to cope with “changing landscapes, and to changes in the wildlife and plant populations they support”. I tend to think it is more a matter of paying close attention to the present moment.
I like how the authors are taking an exploratory approach to this whole question, rather than attempting to formulate any rigid conclusions, and definitely think it is important to keep living with the question, and allow the intelligence of life itself to inform and guide our actions.
Time to let go
The photo is of an ephemeral work I made in Bucks Valley Woods, North Devon, at the end of September, at the time when all the sweet chestnut fruits were falling. The title is Time to Let Go.
Creative conversations for the Anthropocene Want to share your response to my original review or to Linda's thoughts? Send in a mini-post of your own - and why not complement it with a piece of your own work or someone else's, as Linda has done? Or use the Contact Form to suggest a topic for ClimateCultures to explore as a conversation.