“1.8 takes a critical view on the approximately 706 million gallons of waste oil that enter the ocean every year”. Katrin Spranger‘s piece powerfully uses performance with oil itself to bring home the global impact of pollution and waste on our oceans and wildlife, visually depicting how much crude oil we consume and release daily.
Juxtaposing beauty and ugliness, the physical properties of oil and the marks being left on canvas create a metaphor for humanity’s struggle and highlights the tragic awareness of our inability to control the effects of environmental destruction. Whilst some marks quite literally depict a ‘carbon’ footprint, most other marks witness traces of a fight with a slippery liquid material that could not be controlled.
Katrin Spranger is a visual artist working on the intersection of sculpture, jewellery, and performance, exploring dystopian narratives that engage with environmental issues including the depletion of natural resources.
Formed millions of years ago, yet only used for around 200 years, fossil fuel reserves are emptying very quickly. With current and expected future levels of usage, oil reserves are in decline and cannot meet our population’s needs in the long term.
Global consumption of crude oil, based on the 2021 world population breaks it down to 1.8 litres per capita per day with the forecast of an increase.
1.8 takes a critical view on the approximately 706 million gallons of waste oil that enter the ocean every year. With over half coming from land drainage and waste disposal; for example, from the improper disposal of used motor oil, the other remaining parts come from offshore drilling, production operations and spills or leaks from ships or tankers.
Oil spills present enormous harm to deep ocean and coastal fishing. Oil spills at sea can kill large numbers of seabirds and have the potential to wipe out entire populations where these are small or localised. Oil can stick to birds’ feathers, making them lose their water-proofing and potentially leading to hypothermia. When birds try to clean their feathers they ingest oil and are likely to become poisoned. Birds can be cleaned, but this is laborious and expensive. To rehabilitate a single bird takes up to 45 minutes.
Apart from the problems of offshore oil drilling, mining and oil spills, an additional tragedy is that, unfortunately, much of the world’s plastic has ended up in the ocean, where, dispersed by currents, it becomes virtually irretrievable, especially once it has fragmented into microplastics. Computer models suggest that seas hold as many as 51 trillion microplastic particles. Some are the product of larger pieces breaking apart; others, like microbeads added to toothpaste or face scrubs, were designed to be tiny.
To take the viewer on a rigorous journey to visually depict how much crude oil in the form of plastic products and carbon emissions we consume and release on a daily basis, the protagonist of the 1.8 performance wears a feathered jewellery piece with the exact amount of 1.8 litres of oil hidden under their wings. Their performance follows a trajectory, starting from a beautiful, immaculate state of being with slow, majestic movements, onto more struggling gestures and emotions of reluctance to accept loss, to an eventually uncontrollable mess, leading to the inevitable, horrific death. Juxtaposing beauty and ugliness, the physical properties of oil and the marks being left on canvas create a metaphor for humanity’s struggle and it highlights the tragic awareness of our inability to control the effects of environmental destruction. Whilst some marks quite literally depict a ‘carbon’ footprint, most other marks witness traces of a fight with a slippery liquid material that could not be controlled.
1.8 aims to assess and rethink our daily oil consumption in the form of trying to consume fewer plastic products and packaging materials, and ultimately reducing our environmental footprint at scale when traveling and commuting on a daily basis.
Art direction and jewellery: Katrin Spranger
Performance artist: O.K. Norris
Styling and costume: lambdog 1066
Videographer: Louis Thornton
You can explore more of Katrin’s work at her site — and look out for details of the 1.8 Recycle Workshop Series:
“Of all plastics used, worldwide just about 9 % is recycled. As a matter of fact, even when trying to cut down on packaging materials, consumers not always have a choice when shopping, as items usually come wrapped and packaged in non-recyclable materials. Whenever it is not possible to reduce consumption, we may consider re-using and transforming such materials to reduce waste.
“Following my 1.8 performance piece commenting on crude oil consumption, I am going to run a series of workshops in 2023 that inspire action and provide practical solutions to dealing with ‘waste’ products. Each participant will be asked to collect and bring 1.8 kg of plastic and crude oil waste products to the workshop where we’re going to assess and explore those materials. During the workshop we will recycle and transform the materials using various processes including heating, melting, pressing, cutting (for example heating plastic bottle caps) in order to co-create new artworks such as jewellery pieces or objects. The aim is to create work that does not resemble the materials that it was made of.”
There are a limited number of workshop places, so if you would like to take part, please email email@example.com to express your interest.
To explore some of the issues Katrin addresses in her work, see: