Mapping Vulnerability – Finding a Visual Voice

“The installations highlight our preoccupation with physical boundaries but also consider thresholds of thought and the necessity for a shared sense of purpose.”

Six artworks from multi-media artist Jacqui Jones utilise maps to provide a visual voice and fire the imagination on the fragile equilbrium of our social and ecological systems and themes of sustainability and regeneration. 

I was searching for a medium that would expand the vision of environmental, humanitarian and climate concerns at both a local and world wide level, something relatable that would show the vulnerability of the world and its inhabitants. Maps provided that visual voice, articulating not only the here and now but a wish for a longer future.

Jacqui Jones is a multi-media artist immersed in current social, political and scientific thinking, whose work encourages thought, conversation and action, focusing on the climate crisis and single-use plastics.

 

How do we open up hearts and minds to complex environmental issues? The enormity of the challenges can seem so difficult to analyse and understand. Contemporary art is one of the avenues that can fire the imagination and renew the conversation, illustrating ideas, impacts and implications.

For over 10 years I have produced artwork that prompts discussions about the world’s fragile equilibrium, broadening perspectives and horizons. Working conceptually using sustainable and repurposed materials I create works in many mediums including film, sculpture, installation and photography.

In June 2022 I exhibited a series of six works utilising maps. The artworks were the result of two years of research and experimentation not only with the materials but also working over time with the unique features of the redundant factory in which they were to be set.

I was searching for a medium that would expand the vision of environmental, humanitarian and climate concerns at both a local and worldwide level, something relatable that would show the vulnerability of the world and its inhabitants. Maps provided that visual voice, articulating not only the here and now but a wish for a longer future.

The final works expanded on themes of sustainability and regeneration. Considering subjects such as water ecology (Reconnection), urban construction (Urban Sprawl), deforestation (Forest), re-wilding (Valuing the Wild), rising sea levels (Tipping Point) and areas of conflict (War-torn).

The installations, shown below (click on each image for the full-size view), are imbued with a melancholic beauty and a compelling desolation. Each is inextricably linked with architecture and atmosphere of the building. They highlight our preoccupation with physical boundaries but also consider thresholds of thought and the necessity for a shared sense of purpose.


Jacqui’s six artworks were exhibited as part of Resonance, June 2nd – 12th 2022, at the Old Shoe Factory, St Mary’s Works, Norwich, England. You can explore more of Jacqui’s work at her website.

Art of Shading the Sun

“The project is a reflection on community and landscape and how these interact in space and within time.”

Art of Shading the Sun, a poetic film from Evgenia Emets, speaks from the perspective of the land 100 years in the future, of a community and a landscape moving from extractivist practices to more regenerative approaches.

My time is not your time
My time is wisdom
Coiled beneath the roots
My time is light
The one you know as food
My time is seed
That knows how long it’s due
My time is backwards
From the future towards you
My time is you
The fish within my stream
My time is soil
The keeper of your dream

Evgenia Emets is an artist intersecting land-art, sound and visual poetry through experiences, forests, artist books, calligraphy, performance, objects and community engagement, and whose ‘Eternal Forest’ integrates ecological thinking.

 

The film (1 hour 40 min, Portugal, 2021) was originally commissioned by Ci.CLO in Portugal as part of an art installation. The project is a reflection on community and landscape and how these interact in space and within time. The installation and film reflect on the centuries of human presence and the current efforts of the community of Mertola to help restore social and ecological balance in this area.

The film is told from the perspective of the land in 2121, a story of the future, with concrete actions in the present. From extractivist practices deeply rooted in our society to the regenerative approaches — through syntropic agriculture, reforestation, local food production, an education rooted in active participation, and the engagement of the whole community into the process.

The film, photographic prints and an installation based on the film in Portuguese and English in 10- and 14-minute video loops, was exhibited in Porto, Bienal 21 Fotografia do Porto, and the Municipalities of Évora, Figueira da Foz, Loulé, Mértola and with EDIA in Portugal, and Fotofestiwal Łódź 2021 in Poland during 2021-2022.


As well as the 14-minute English film above, with the installation poetry, and the equivalent Portuguese version, you can watch the full Art of Shading the Sun film (1 hr 14 mins) in Portuguese. And you can find more at Evgenia’s website and the site of the Eternal Forest project.