AHIMSA

Much of my music is composed as a means to encourage others to think about the possibility of world peace.” Stanley Grill‘s four-piece composition expresses the ancient Jain, Hindu and Buddhist concept of ‘ahimsa’ — ‘non-harm’ in our relationship with the rest of the natural world — in his learning not only from great historic figures but from the example of his own grandfather.


We cannot bring harm to other living beings without bringing harm to ourselves — and that makes ‘ahimsa’ not just a concept related to the peaceful resolution of conflict between humans, but a concept about our place in all of nature.

Stanley Grill is a composer of music that attempts to translate something about the nature of the physical world or promote world peace, sparking positive thoughts and inspiring change.

 

Much of my music is composed as a means to encourage others to think about the possibility of world peace. During the pandemic, undistracted at home, I wrote a large number of works, one of which included AHIMSA — music inspired by that ancient Indian principle of living in harmony with all living beings. The concept is broader than what I believe most people understand ‘ahimsa’ to mean — it is not just non-violence. It is an understanding that all living creatures on earth are connected. We cannot bring harm to other living beings without bringing harm to ourselves — and that makes ahimsa not just a concept related to the peaceful resolution of conflict between humans, but a concept about our place in all of nature.

The music is in four movements. It begins with music inspired by the principles I learned at home from my grandfather, who as a teenager, fled Poland by himself, to make his way to America. His basic philosophy of life was that every person should strive to become the best person they can be, to realize their potential, but without ever imposing themselves on or harming others. The music then progresses to the great guiding lights — Mahatma Gandhi, Martin Luther King and John Lennon — all of whom died while in the pursuit of holding up the candle of ahimsa for all to see. It is hard to think of any who are their match today, but those with their intensity are sorely needed.

AHIMSA extensively uses quodlibets,  a technique that’s been used by various composers since medieval times. I researched melodies that were known to Gandhi and Martin Luther King (and in Lennon’s case, several of his songs) and then wove fragments of the melodies into the counterpoint in their respective movements.


AHIMSA (2022) was recorded in the Czech Republic, with Marek Štilec leading the Czech Chamber Philharmonic Orchestra Pardubice. You can listen to AHIMSA at Stanley’s own site — where you can explore more of his Music for Peace and Music for the Earth and his many other compositions — as well as on You Tube Music, Spotify, Amazon Music, and Tidal

Stanley previously contributed Remember to our Creative Showcase; his collaboration with choreographer and dancer Mariko Endo serves as a reminder of who we are by nature — part and parcel of the earth and all of the life around us. You can find this here in our archive.

Art at Net Zero Festival London

“The transboundary nature of digital art has allowed me to participate in fifteen international art shows during September.”

Selva Ozelli has been busy making art shows and interviewing artists, museums and international NGOs to support Net Zero Festival London and its aims to be a catalyst towards a net zero, equitable and resilient future. 

“Our planet needs everyone to work together, including the public, policymakers, academia, artists, business, community, civil society, NGOs and museums.”

Selva Ozelli is an environmentalist working as an artist, writer, international tax attorney and public accountant, who has curated a climate change art shows with various organisations.

 

Running parallel to the United Nations General Assembly — holding its 76th annual meeting between 14th and 30th September in New York City to bring countries together at a critical time for marshalling collective action to tackle the global environmental crisis which has worsened the COVID-19 Pandemic — the Net Zero Festival London aims to cover the full breadth of the green industrial revolution. I have prepared a new art show and collaborated with artists, museums and an international NGO on three themes.

Theme 1: Green, fair and resilient recovery from the pandemic

2021 – The International Year of Creative Economy for Sustainable Development – has witnessed the rapid spread of the highly transmissible delta variant of Covid-19, as well as a new coronavirus variant, with multiple mutations amidst the worst wildfire season. But then, akin to pollution and corona, the transboundary nature of digital art has allowed me to participate in fifteen international art shows during September, with the theme of a sustainable and resilient recovery from the pandemic with my ‘Art in the Time of Corona’ series of art shows that were published by CUHK Jockey Club Museum of Climate Change

Theme 2: Road to  COP26

200 of the world’s leading health journals released a joint statement pleading with global leaders to cut greenhouse gas emissions to mitigate climate change, which they say is the greatest threat to public health.

New World Health Organization Global Air Quality Guidelines provide clear evidence of the damage air pollution inflicts on human health, at even lower concentrations than previously understood. The guidelines recommend new air quality levels to protect the health of populations, by reducing levels of key air pollutants, some of which also contribute to climate change. Air pollution is one of the biggest environmental threats to human health, alongside climate change.
   
Ambitious climate action has now become a matter of urgency according to the latest report by the Intergovernmental Panel on Climate Change
. Especially since the initial NDC Synthesis report showed that the world is not on track to reach the Nationally Determined Contributions in accordance with the Paris Agreement to address climate change.

With thousands of companies now committed to delivering net zero emissions and the UK set to host the critical COP26 Climate Summit this November, the Net Zero Festival will provide both invaluable practical guidance on how to navigate the economic and technological shifts that are already underway and an exploration of how to accelerate decarbonization strategies towards a green recovery from the pandemic. My Net Zero Festival Booth is here.

Theme 3: Whole of society climate action

Our planet needs everyone to work together, including the public, policymakers, academia, artists, business, community, civil society, NGOs and museums. Ahead of Net Zero Festival London, I interviewed Viviane Gosselin for TiredEarth. Viviane, Director of Collections and Exhibitions for the Museum of Vancouver and a member of the Advisory Group for the Coalition of Museums for Climate Justice, explained “I just want to stress that it’s clear […] that social and environmental justice are interconnected.”


Net Zero Festival London runs from 29th September to 1st October and aims to cover the full breadth of the green industrial revolution. You can find Selva’s digital art shows the festival here. Selva’s Art in the Time of Corona, was originally published by CUHK Jockey Club Museum of Climate Change.

In the UK, The Lancet published the joint document, Call for emergency action to limit global temperature increases, restore biodiversity, and protect health (4/9/21).

Selva’s interview with Viviane Gosselin, Director of Collections and Exhibitions of the Museum of Vancouver and a member of the Advisory Group for the Coalition of Museums for Climate Justice, is published at TiredEarth.