Poet Clare Crossman follows the first six of her illustrated poems on nature and climate change with the second of two selections from In the Blackthorn Time and other poems, her collaboration with artist Victor Ibanez, including Naturalist.
1,300 words: estimated reading time: 5 minutes
The first selection of Clare’s illustrated poems is included in her previous post, In the Blackthorn Time.
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Gold Finches

Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net
Naturalist

Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net
Cabbage White Butterfly

Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net
June at Docwra’s Manor

Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net
Solstice

Burlton’s Farm

Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net
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Clare’s first post for ClimateCultures, In the Blackthorn Time, featured the first six of her sequence poems: The Window, The Pear Tree, The Violets, A Triolet, Marmora Road in Summer, and In the Blackthorn Time. Gold Finches, Naturalist, Cabbage White Butterfly, June at Docwra’s Manor, Solstice and Burlton’s Farm complete the sequence, and all twelve collages are for sale. The collection is framed and available for exhibition display on request. You can contact Clare via her website.
Clare Crossman’s pamphlet Landscapes won the Redbeck competition in 1997 and since then she has published three collections of poetry, Going Back (Firewater Press, Cambridge), The Shape of Us and Vanishing Point (Shoestring Press, Nottingham). A third collection Common Ground is due in autumn 2018. Her poems have appeared in many anthologies. She performed and wrote Fen song: A Ballad on the Fen in 2006 with the singer-songwriter Penny Mclaren Walker.
Victor Ibanez trained in Fine Art at Art School in Kent. He has worked in graphic design, advertising and television. He is currently a member of Cambridge Art Salon and has facilitated many arts events during The Romsey Festival, in the Mill Road and Romsey areas of Cambridge, in collaboration with Ruthie Collins at Art Salon and Nick Hall at Vinopolis. Victor runs a regular life drawing class. You can see more of his work at his Facebook page.
A Triolet was included in a short film by Jonnie Howard about the first Pivotal Festival in Empty Common, Cambridge. Goldfinches was commended in The Barn Owl Competition, Devon. The Window was recorded for Fen Song A Ballad of the Fen. And Clare reads a number of these poems and others in The Pear Tree, a film by Victor Ibanez, which you can find at his YouTube channel.
Clare Crossman
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