4 The Way of Water | ClimateCultures - creative conversations for the Anthropocene

The Way of Water (from Black Haiku)
Photograph: Robynne Limoges © 2018
www.robynnelimoges.com

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Kevin Albin – Expedition guide who has worked in conservation, experienced biodiversity loss and climate change through travel and reaches people through writing, with his eco-fiction novel, Stonechild.
Asha Alexander – Learner and educator, heading a primary school that has embedded climate literacy and leading on climate change as Executive Leader for a global education provider.
Gloria Barnett – Passionate marine conservation champion, scuba diver, filmmaker, educator and children’s author, whose mission is to help people of all ages understand the world of oceans.
Alan Hesse – Author-illustrator, educator and conservation biologist inspired by nature’s majesty and fragility and the need to protect it and who believes that education should be fun.
Jemma Jacobs – Arts researcher focusing on climate communication within the Anthropocene and its relationship with art, and drawing attention to those suffering disproportionately from climate change impacts.
Rosalind Lowry – Artist with a passion for art education and raising environmental awareness, working with a range of media to create site-specific land art, installations and sculpture.
Tim Maslen – Part of collaborative art duo Maslen & Mehra, who avoid singular engagement with sustainable narratives and tackle the complexity of economic, social and environmental issues together.
Jennifer Mehra – Part of collaborative art duo Maslen & Mehra, who avoid singular engagement with sustainable narratives and tackle the complexity of economic, social and environmental issues together.
Lionel Playford – Landscape artist engaged with the here-and-now of the weather-world and with poetic ideas about our evolving relationship with nature, often working outdoors with others.
Laura Sedgwick – Experienced producer combining climate concerns with theatre, looking to take sustainability lessons and practices from the subsidised theatre sector to the industry’s more commercial elements.

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