Naturalist

Clare Crossman's recent Members' post for ClimateCultures featured the first six of her sequence of poems illustrated by Victor Ibanez. Here, we welcome Clare back to share the final half dozen poems from the sequence, including Naturalist. 

approximate Reading Time: 10 minutes


Gold Finches

Gold Finches
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

Naturalist

Naturalist
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

Cabbage White Butterfly

Cabbage White Butterfly
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

June at Docwra’s Manor

June at Docwra’s Manor
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

Solstice

Solstice Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016 www.clarecrossman.net

Burlton’s Farm

Burlton’s Farm
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

 

Find out more

Clare’s first post for ClimateCultures, In the Blackthorn Time, featured the first six of her sequence poems: The Window, The Pear Tree, The Violets, A Triolet, Marmora Road in Summer, and In the Blackthorn Time. Gold Finches, Naturalist, Cabbage White Butterfly, June at Docwra’s Manor, Solstice and Burlton’s Farm complete the sequence, and all twelve collages are for sale. The collection is framed and available for exhibition display on request. You can contact Clare via her website.

Clare Crossman’s pamphlet Landscapes won the Redbeck competition in 1997 and since then she has published three collections of poetry, Going Back (Firewater Press, Cambridge), The Shape of Us and Vanishing Point (Shoestring Press, Nottingham). A third collection Common Ground is due in autumn 2018. Her poems have appeared in many anthologies. She performed and wrote Fen song: A Ballad on the Fen in 2006 with the singer-songwriter Penny Mclaren Walker.

Victor Ibanez trained in Fine Art at Art School in Kent. He has worked in graphic design, advertising and television. He is currently a member of Cambridge Art Salon and has facilitated many arts events during The Romsey Festival, in the Mill Road and Romsey areas of Cambridge, in collaboration with Ruthie Collins at Art Salon and Nick Hall at Vinopolis. Victor runs a regular life drawing class. You can see more of his work at his Facebook page.

A Triolet was included in a short film by Jonnie Howard about the first Pivotal Festival in Empty Common, CambridgeGoldfinches was commended in The Barn Owl Competition, Devon. The Window was recorded for Fen Song A Ballad of the FenAnd Clare reads a number of these poems and others in The Pear Tree, a film by Victor Ibanez, which you can find at his YouTube channel. 

In the Blackthorn Time

It's a real treat for ClimateCultures to be able to offer original creative works from our Members, and the latest such offering is something special. Poet Clare Crossman created a sequence of poems on nature and climate change, each one illustrated by Victor Ibanez, for an appearance at Pivotal Festival in 2016. Here, she offers a short introduction with the first half dozen of these works, including In the Blackthorn Time; the remaining six feature in her second post, Naturalist

approximate Reading Time: 10 minutes  


In the Blackthorn Time and other poems is collaboration with multi-media artist Victor Ibanez. The poems are concerned with the state of the land and the natural world in the South Cambridgeshire countryside close to where I live. Recently, through volunteering with Melwood Conservation Group, I became very interested in climate change through contact with Bruce Huett, a member of the Climate Histories Group at Cambridge University. These poems were first performed at a small Pivotal Festival concerned with climate change, run by James Murray-White over a weekend on the site of the Cambridge Museum of Technology. The poem A Triolet was recorded also at The Empty Common Community Garden Party run by Michelle Golder with Transition Cambridge, as part of the climate change movement in Cambridge.

The Window

The Window
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

The Pear Tree

The Window
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

The Violets

The Violets
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

A Triolet

A Triolet
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

Marmora Road in Summer

Marmora Road in Summer
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

In the Blackthorn Time

In the Blackthorn Time
Text: Clare Crossman © 2016; Illustration: Victor Ibanez © 2016
www.clarecrossman.net

Find out more

I first ‘met’ Clare through her post reflecting on William Blake’s poem, London, which she contributed to the Finding Blake site I set up with James Murray-White and Linda Richardson. Since then, I have developed Clare’s new website for her poetry and I’m working on a new site for Waterlight, a creative environmental project she’s launched with James Murray-White, Bruce Huett and others, exploring her local river, the Mel, in Cambridgeshire. (Site coming soon, but you can read about the project at Clare’s blog on her site).

Clare Crossman’s pamphlet Landscapes won the Redbeck competition in 1997 and since then she has published three collections of poetry, Going Back (Firewater Press, Cambridge), The Shape of Us and Vanishing Point (Shoestring Press, Nottingham). A third collection Common Ground is due in autumn 2018. Her poems have appeared in many anthologies. She performed and wrote Fen song: A Ballad on the Fen in 2006 with the singer-songwriter Penny Mclaren Walker.

Victor Ibanez trained in Fine Art at Art School in Kent. He has worked in graphic design, advertising and television. He is currently a member of Cambridge Art Salon and has facilitated many arts events during The Romsey Festival, in the Mill Road and Romsey areas of Cambridge, in collaboration with Ruthie Collins at Art Salon and Nick Hall at Vinopolis. Victor runs a regular life drawing class. You can see more of his work at his Facebook page.

The Window, The Pear Tree, The Violets, A Triolet, Marmora Road in Summer, and In the Blackthorn Time are the first six in Clare’s sequence of collages with Victor. The sequence is completed with Gold Finches, Naturalist, Cabbage White Butterfly, June at Docwra’s Manor, Solstice and Burlton’s Farm (contained in Clare’s next post, Naturalist), and all twelve collages are for sale. The collection is framed and available for exhibition display on request. You can contact Clare via her website. 

A Triolet was included in a short film by Jonnie Howard about the first Pivotal Festival in Empty Common, CambridgeGoldfinches was commended in The Barn Owl Competition, Devon. The Window was recorded for Fen Song A Ballad of the FenAnd Clare reads a number of these poems and others in The Pear Tree, a film by Victor Ibanez, which you can find at his YouTube channel.